Ronan says in inteviews that with this album he’s back to his roots. Don’t listen to him. He has never sung in this way before. He’s famous for singing ballads and this album is ballad driven but most of them are hardly those huge sing-along ballads like Wen You Say Nothing At All. Gentle, sophisticated arrangements and the best vocals from Ronan ever make this album different to his previous releases. Songs like To be Loved (with Jamie Cullum on the piano) are not ones you’d appreciate when listening to them in car, they are full of beautiful details - lose them and you will lose it all. This is surprisingly mature music and it requires a mature listener. All tracks (except two) were produced by Mark Taylor and it is good news for Turn It On fans (cheers guys!), we already know how stunnig Ronan’s unique voice is when treated with respect and care it deserves. Thanks to Taylor Ronan’s voice is a star on this album – husky, rich, soulful - supported perfectly by soft, soothing arangements.
Of course this is still Ronan - the one for whom singing hit songs seems to be amazingly easy – and there are many potential hits on this album: uptempo Friends In Time (originally by Golden Horde), romantic ballad This I Promise You or Bring You Home, another beautiful song from Keating about „father and son” relationships.

If this album wasn’t that good I’d be disappointed that Ronan doesn’t show his rockier side on it. He’s got a special gift – his uptempos are incredibly uplifting and it is a shame that this time he doesn’t share his youthfulness, eagerness and passion towards life by singing songs such as Rollercoaster or I Wouldn’t Change A Thing. Instead Bring You Home brings some nice surprises, like, for instance, a Maori chant on So Far Away (written by Ronan Hardiman and Frank Musker).

Brilliant album. Put your headphones on and enjoy it!

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